Ching distinguishes: Symmetry is mirror, balance is equilibrium.
*Symmetrical:* Mirror along axis, identical both sides. Feels formal, stable, important, classical. Example: Mosque facade symmetrical, government building. Easy to understand but can be boring.
*Asymmetrical Balance:* Different elements balanced by visual weight. Large dark object near center balances small bright object far. Feels dynamic, modern, informal. Example: Modern villa with garage one side, large window other side - different but balanced.
*Radial Symmetry:* Symmetry around center point, like star. Feels focused, centralized.
In Egypt: Traditional architecture symmetrical (courtyard houses), modern prefers asymmetrical balance because more flexible for irregular plots and modern lifestyle.
When to use: Use symmetry when you want importance, ceremony, order - main facade, entrance, formal garden. Use asymmetrical balance when you want dynamism, informality, adaptation to site - side facades, interior, garden.
Ching's rule: Symmetrical building needs symmetrical approach. If you make symmetrical facade but approach from side (oblique), symmetry lost, feels awkward. Align approach with symmetry axis.
For shop drawings: Symmetrical building saves drawing - draw half, mirror. But be careful - MEP may not be symmetrical, structure may need asymmetry. Don't force symmetry where function asymmetrical.
Content: Same building - symmetrical version vs asymmetrical balanced version - which feels better? Poll creates engagement.
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